Sensing “Flowers” in Kilkenny

I don’t often post more personal information on my playwriting website, but this post combines the personal with the theatrical.

Recently, I had the pleasure of going to Ireland with my wife and our little littlest ones, and one of the places we stopped was the medieval city of Kilkenny, in southern(ish) Ireland.

The reason Kilkenny has such relevance for me is because it is the setting for my gothic, spiritual drama “A Flower of the Field”, which was loosely inspired by the writings of the monk John Clyn, who, during the height of the Black Death in the 14th century, wrote a historical chronicle of the pestilence (and indeed, “world” history – from Adam and Eve to his present day) in the still-existent abbey of St. Francis.

What a treat, therefore, to travel to Kilkenny on a day trip from Dublin and see (albeit, from afar – since it is being renovated) the ruins of the same St. Francis’s Abbey where my play takes place:

Not only that, but my play incorporates another figure from Kilkenny history, the noblewoman Alice Kyteler, who was accused of being a witch and fled the city, and who is remembered still in Kilkenny to this day:

I wrote “A Flower of the Field” without any knowledge of (or passion for) Kilkenny, per se – clobbering together disparate stories from the period of the Black Death, courtesy of the real John Clyn – and just happened to set the story in the very abbey that is still standing and incorporate the woman whose memory looms large in the city to this very day.

What a fun time… to see where my own play takes place!

Throwback Thursday – “It’s the End”

On this Throwback Thursday, I want to high one of my favorite “music video” creations (courtesy of yours truly) from the opening number of the musical “The Burning of the White House.”

“The Burning of the White House” is by far my longest-nursed creative endeavor, which I have worked on with the great composer (and co-bookwriter) Norman Berman since early 2017.

Briefly, the musical tells the story of Paul Jennings, a house slave to James and Dolley Madison during the War of 1812 (which, contrary to its title, lasted from 1812-14) and specifically young Paul’s coming of age during the British capture and burning of Washington, DC in August of 1814.

Recruiting a wonderful cast, Norman organized a demo recording of the opening song (really, the opening scene – slightly truncated for the actual demo recording, but relatively intact) which takes place at the White House during one of Dolley Madison’s famous soirees – though, not too far away, the British are prowling the American coastline and threatening invasion.

You can check out more about “The Burning of the White House” here on our website!